Monday, October 28, 2013

VB 55

Vanessa Beecroft's VB55 at the
Neue Nationalgalerie, Berlin, Apr. 8, 2005

from an article by Sidonie Von Grasenabb

VB55is the Italian artist's largest performance to date, featuring 100 naked women, from 18 to 65 years old, presented barefoot on the stone floor for three uninterrupted hours, wearing sheer panty hose, their heterogeneous bodies lubricated with almond oil. Aligned between the two colossal marble pillars that support the suspended steel roof, once one of the largest structures of its type, the human props are loosely ordered by hair color (and accordingly, pubic hair color), from red through yellow to black, a reverence to the German national flag.

Beecroft has already expressed her taste for military paraphernalia inVB38 and VB42, her only performances using the "stronger sex," which featured men in uniforms. The performance is also intended to function as a self-portrait, and indeed, the artist could be considered a perfect representation of her work, albeit remaining dressed and holding a bottle of water, roaming around with an artificially cool aura.

But we do not have here one of Santiago Sierra's brutal demonstrations putting "workers" through their sadistic paces. Despite Beecroft's set of rules that are allegedly "interpreted" by the models, none of the living sculptures fainted from the voyeuristic gaze of the amateurs in the audience (though mercifully both a psychoanalyst and an emergency nurse were on the ground ready to intervene.

Unlike with VB35, the memorable 1998 performance in the rotunda of Frank Lloyd Wright's Guggenheim Museum in New York, the overcrowded flat space of the Neue Nationalgalerie did not permit an overview of the installation of nude flesh. The performance had felt more human, and in subtler interaction with the empty architecture, the day before, during the shooting of the photographs and video that are now the only record of this ephemeral work.

Notwithstanding the current attention for process-oriented art, Beecroft is keen to refer to Italian Mannerist painting or Neo-Classical sculpture rather than performances by Yves Klein or Gilbert & George, and even with her mimetic predilection for Rainer Werner Fassbinders cinema she avoids the inclination toward lesbian sadomasochism.

The work is about contradictions and this is what probably constitutes its contemporary magnetism. It is about internalized feminism and autobiographical eating disorders. It is not about fashion though Beecroft's 2000 wedding, VBGD (the couple's initials), was produced by Italian Vogue. It is not about fascism, but the "master" refuses to speak directly with her controlled human tools -- to keep what she called a "violent tension."

It is about a diverse and democratic ideal of beauty, but regardless of the quintessential transparency of this public building, the non-paying populace is kept far away -- one of the curators justified the policy as necessary to avoid sexual harassment, even though complete nudity can be seen in the citys parks all summer long.

In our post-political liberal society, public order is no longer maintained by dictatorial repression and strict regulation; our impulses, from sexual orientation to cultural behavior, are more and more often experienced as matters of free choice. In this hedonistic and permissive context, the rigidly codified, authoritarian relationship in Beecrofts performances becomes transgressive and appeals metaphorically to the need for structure in our chaotic social lives -- a freely chosen master/slave form of coexistence, which might provide deep esthetical and libidinal satisfaction, and which, along with naturism, provides two requisite German fetishes.

from A Space, Not an Act by Sidonie von Grasenabb

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Vanessa Beecroft's performance art is documented in these new and used books:

Also see:

Beecroft In The Flesh

More of Vanessa Beecroft's amazing nude art. 

See below for more photos of Vanessa Beecroft's performance pieces.

Thursday, August 1, 2013

Vanessa Beecroft: Nude Art!

Vanessa Beecroft (born April 25, 1969 in Genoa, Italy) is an Italian contemporary artist living in Los Angeles, whose daring performance art addresses both conceptual and aesthetic concerns. Her performance art is often large scale, with many live female models, often nude. At her performances, video recordings and photographs are made, to be exhibited as documentation of the performances and also as separate works of art. Beecroft's work provokes questions about identity politics, sexuality, beauty and voyeurism in the complex relationship between viewer, model and context.

Vanessa Beecroft's performance art is documented in these new and used books:

Also see:

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Friday, July 26, 2013

Wednesday, March 20, 2013

Next to Nature

Ahh, the sublime joys of nudity high in the mountains,
sharing the view, the breeze, the joys of nature with your lover...

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The Tattooed Flapper

This is another erotically charged nude photo, and we think it all comes from the incongruous juxtaposition of tattoos, high heels and a flapper hairdo with full nudity at the beach.

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Nude Beach Sensuality

This photo can't help but be erotic, yet it's sexy in an
innocent way, a natural way, conveying the wonderful
sensuality of lying naked on the sand at water's edge.

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